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『緋文字』一考察 : 作品世界とナサニエル・ホーソーン心象風景の同一性
https://kougei.repo.nii.ac.jp/records/779
https://kougei.repo.nii.ac.jp/records/77981ea4a8a-5f5b-4058-bcf5-b5d95adead56
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00002449582.pdf (957.0 kB)
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| Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-04-21 | |||||
| タイトル | ||||||
| タイトル | 『緋文字』一考察 : 作品世界とナサニエル・ホーソーン心象風景の同一性 | |||||
| タイトル | ||||||
| タイトル | Nathaniel Hawthorne's Shadow in The Scarlet Letter | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN1034237X | |||||
| 論文名よみ | ||||||
| タイトル | ヒモンジ イチコウサツ サクヒンセカイ ト ナサニエル・ホーソン シンショウフウケイ ノ ドウイツセイ | |||||
| 著者 |
野呂, 浩
× 野呂, 浩× NORO, Hiroshi |
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| 著者所属(日) | ||||||
| 東京工芸大学工学部基礎教育研究センター | ||||||
| 記事種別(日) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 記事種別(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Article | |||||
| 抄録(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Scholars of American literature have produced innumerable interpretations on Nathaniel Hawthorne's masterpiece The Scarlet Letter. Notably, each different approach to the work has revealed a different viewpoint hidden within the story. Here, the story is to be analyzed in relation to the lifelong inner angst of author Nathaniel Hawthorne. This new approach shows the main characters to be individuals into whom the depth of Nathaniel Hawthorne's psychological mindset has been projected. Arthur Dimmesdale, a young minister, reflects the author's internal struggle over his ancestor's past involvement in the judgement of witches, including at the Salem witch trial in 1692. Chillingworth, a diabolical man, represents Nathaniel Hawthorne's sense of guilt, and shows his commitment as an artist to observing people's inner souls. Hester's freethinking manner and way of life can be seen as Nathaniel Hawthorne's strong determination to become an independent artist, and one who is never to fall victim to the stains of the past and society. Nathaniel Hawthorne's longing for British culture is reflected in Pearl. The particular end that each character meets can also be interpreted as carrying its own unique message. Nathaniel Hawthorne is very negative about Chillingworth; the author shows no sympathy for his own inevitably sinful fate of peeping into people's inner souls. The implications of Dimmesdale's death after his final confession on the scaffold are somewhat ambiguous. It is uncertain whether he was saved or severely judged. More likely, there is a mixture of both elements, and his death clearly shows us that the sinful lifestyle of Nathaniel Hawthorne's ancestors must end. Hester ultimately returns of her own free will to the puritan society of Boston, after having lived for a while in the Old World with her daughter Pearl. Hester's return tells us that Nathaniel Hawthorne's desire for freedom includes the possibility of serving the puritan society. Pearl is the only character alive at the end of the novel, happily married, and possibly in England. Nathaniel Hawthorne's decision to live as an artist includes aspirations of British heritage. Dimmesdale's inherited strong animal nature is the root of the persecuting spirit in the history of the author's' ancestors. Therefore, the scarlet letter A in the story can be interpreted as the initial letter of the word 'animal.' | |||||
| 書誌情報 |
東京工芸大学工学部紀要. 人文・社会編 en : The Academic Reports, the Faculty of Engineering, Tokyo Polytechnic University 巻 24, 号 2, p. 30-38, 発行日 2001 |
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| 表示順 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 7 | |||||
| アクセション番号 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | KJ00002449582 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 03876055 | |||||
