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アン・ラドクリフ試論 ―「母の発見」が意味するもの ―
https://kougei.repo.nii.ac.jp/records/2151
https://kougei.repo.nii.ac.jp/records/215152991d32-284f-4f90-8813-ecb9664ef5d6
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
28-5 (1.0 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2022-03-31 | |||||
| タイトル | ||||||
| タイトル | アン・ラドクリフ試論 ―「母の発見」が意味するもの ― | |||||
| タイトル | ||||||
| タイトル | A Study on Ann Radcliff ―Mothers Lost & Found― | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 18世紀英国 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ゴシック小説 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ジェンダー構造 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | アン・ラドクリフ | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 母の不在 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
鈴木, 万里
× 鈴木, 万里× Suzuki, Mari |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The social and economic position of women underwent a radical change throughout the eighteenth century in England. As the capitalism-based economy developed and expanded in the industrializing society, women were displaced from the public domain, and their subsistence was increasingly dependent upon their husbands or fathers. How women could be properly fitted in the society was a great concern. It urged the construction of feminine ideology and the role of women as a domestic center. Novels as a new literary genre explored the status and role suitable for women in the growing bourgeois society. Marginalized women had no choice but to participate in the ideology of separate spheres permeating in the middle-class society. The anxiety and fear they confronted generated many female writers as well as female readers. Ann Radcliffe, one of the main Gothic writers in the eighteenth century, explored the situation in which women were placed in the competitive patriarchal society. She was clever enough to delineate the sufferings and desire of oppressed women under the disguise of a Gothic setting far from the real world. Her heroines, deprived of her family and home, strive for survival, and finally obtain what they really need. The characteristic patterns are repeated in her four novels: the discovery of the father, the discovery of the mother, and the compassionate marriage with a powerless hero. I would like to analyze what these recurrent motifs mean and its relevance with the social background. |
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| 書誌情報 |
東京工芸大学芸術学部紀要 en : Bulletin of Faculty of Arts, Tokyo Polytechnic University 巻 28, p. 45-60, 発行日 2022-03-31 |
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| 出版者 | ||||||
| 出版者 | 東京工芸大学芸術学部 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13493450 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10507753 | |||||
