WEKO3
アイテム
越境するイタリア映画
https://kougei.repo.nii.ac.jp/records/1409
https://kougei.repo.nii.ac.jp/records/14094a5b038d-2091-4734-867a-884910aca300
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00000202322.pdf (649.3 kB)
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| Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-04-21 | |||||
| タイトル | ||||||
| タイトル | 越境するイタリア映画 | |||||
| タイトル | ||||||
| タイトル | Italian Cinema Crossing the Borders | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10507753 | |||||
| 論文名よみ | ||||||
| タイトル | エッキョウ スル イタリア エイガ | |||||
| 著者 |
西村, 安弘
× 西村, 安弘× NISHIMURA, Yasuhiro |
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| 著者所属(日) | ||||||
| 東京工芸大学芸術学部映像学科 | ||||||
| 著者所属(英) | ||||||
| en | ||||||
| Department of Imaging Art, Faculty of Arts, Tokyo Polytechnic University | ||||||
| 記事種別(日) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 論文 | |||||
| 記事種別(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Paper | |||||
| 抄録(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | What means nationality in regard to film history? Is it always possible to define the nationality of a film? Films are considered to have the same nationality as the production company. However, many films are international co-productions ; sometimes even political power changes the nationality of a film. Even language is not an efficient clue. Italian cinema has been exported in the world ; some directors like Pietro Germi are considered as true Italian, but the major part are films of certain genres as westerns. They lack national character to the point that they are not even recognized as Italian. If so, they are often considered as cheap imitations without originality which comes from some supposed nationality. However, film nationality is a dubious quality. Internationality itself has become a distinct characteristic of the Italian cinema. Like Hollywood cinema, Italian cinema tries to be international, mostly in order to be easily exported. In this article, demonstrating how Italian cinema crosses the borders, several problems concerning the methods of film history are examined. | |||||
| 書誌情報 |
東京工芸大学芸術学部紀要 en : Bulletin, Faculty of Arts, Tokyo Institute of Polytechnics 巻 3, p. 29-34, 発行日 1997 |
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| 表示順 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 7 | |||||
| アクセション番号 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | KJ00000202322 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13418696 | |||||
