WEKO3
アイテム
十二音技法に基づく無調性音楽を生成するライブ演奏ピアノの開発と展示評価
https://kougei.repo.nii.ac.jp/records/2000216
https://kougei.repo.nii.ac.jp/records/2000216afb9906f-03a5-4016-86da-4911fc20ecd4
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
32-4.pdf (1.6 MB)
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2026-03-31 | |||||
| タイトル | ||||||
| タイトル | 十二音技法に基づく無調性音楽を生成するライブ演奏ピアノの開発と展示評価 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | The Development and Exhibition Evaluation of Live Performance Piano Generating Atonal Music Based on Dodecaphony | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 言語 | ja | |||||
| 主題Scheme | Other | |||||
| 主題 | 無調性音楽、十二音技法、シェーンベルク、AI Street Piano、インタラクティブ・ピアノシステム | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| 著者 |
久原, 泰雄
× 久原, 泰雄 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper presents AI Street Piano Dodekaphonie, a live piano performance system that automatically generates atonal music based on dodecaphony, also known as the twelve-tone technique. The system is an extension of the author’s previous works, VT Piano and AI Street Piano, and generates tone rows in real time in response to the performer’s key presses. As a result, twelve-tone atonal music is consistently produced regardless of which keys are played or how they are struck. The generated tones are constrained to pitch regions close to the performer’s key positions, allowing performers to maintain an intended sense of pitch direction while performing within an atonal framework. This enables expressive improvisational piano performance with control over musical elements such as pitch, dynamics, tempo, and groove under the constraints of the twelve-tone technique. In addition, the system was exhibited in a public university exhibition, where general visitors were invited to interact with it. Analysis of the exhibition data revealed that explicit reactions or comments related to the twelve-tone technique were rarely observed, suggesting that the structural characteristics of dodecaphony are not easily recognized by general audiences in a free performance setting. This paper discusses these results as empirical findings on the contemporary reception of twelvetone music and examines the implications for the design of experiential systems that aim to convey structural musical techniques. |
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| 言語 | en | |||||
| 書誌情報 |
ja : 東京工芸大学芸術学部紀要 en : Bulletin of Faculty of Arts, Tokyo Polytechnic University 巻 32, p. 29-38, 発行日 2026-03-31 |
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| 出版者 | ||||||
| 出版者 | 東京工芸大学芸術学部 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 13493450 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10507753 | |||||
